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Vulgar auteurism : ウィキペディア英語版
Vulgar auteurism
Vulgar auteurism is a term used to describe an ongoing movement in film criticism associated with championing or reappraising filmmakers, mostly working in the action genre, whose work has supposedly been overlooked or unfairly maligned by the critical mainstream.〔 Initially associated with the social network and streaming service Mubi〔 and its online film magazine, ''Notebook'',〔 vulgar auteurism became a controversial〔 topic in the cinephile community following the publication of an article in the ''Village Voice'' in 2013.〔〔〔 It has been described as "a critical movement committed to assessing the 'unserious' artistry of popcorn cinema with absolute seriousness."
Directors whose work is commonly associated with vulgar auteurism include Paul W.S. Anderson,〔〔〔 Tony Scott,〔 John Hyams,〔 M. Night Shyamalan,〔https://mubi.com/lists/vulgar-auteurism〕〔http://thevulgarcinema.com/2013/06/roundtable-m-night-shyamalan/〕 Isaac Florentine,〔 Neveldine & Taylor,〔〔 Nimrod Antal,〔 Michael Bay, Jon M. Chu,〔 Russell Mulcahy, Joe Carnahan, and Justin Lin,〔 as well as more critically respected figures like Michael Mann,〔 John McTiernan,〔 Walter Hill,〔 John Carpenter,〔 Kathryn Bigelow,〔 and Abel Ferrara.〔
==Origin==

Vulgar auteurism derives its name〔 from the auteur theory, a key component of film criticism which posits that the director is the author ("auteur") of a film and that films should be analyzed in terms of how they fit into a director's larger body of work.〔 Also known as "auteurism," the auteur theory was introduced by French critics associated with the film magazine ''Cahiers du cinéma'' during the 1950s and popularized in the United States in the 1960s by Andrew Sarris.〔
Several critics, including Richard Brody of ''The New Yorker'' and Scott Foundas of ''Variety'', have drawn parallels between the earliest French and American proponents of the auteur theory and vulgar auteurism.〔〔〔 However, many commentators on the movement consider vulgar auteurism to be distinct from the classical auteur theory, pointing to its concern with visual style over theme.〔〔〔〔 The question of whether vulgar auteurism is a legitimate separate movement or a subset of the auteur theory remains a source of controversy in the film critic community.〔〔〔〔
According to film critic Peter Labuza, vulgar auteurism "seems to have been an unconscious movement before it ever had a name."〔 The earliest criticism identified as exhibiting "vulgar auteurism" was published in the Canadian film magazine ''Cinema Scope'' in 2006 and 2007.〔〔 ''Cinema Scope'' writer Andrew Tracy coined the term〔〔 in his 2009 article, "Vulgar Auteurism: The Case of Michael Mann."〔 Initially pejorative,〔〔 the term was repurposed by Mubi user John Lehtonen.〔 In the early-going, the theory was explored not through text, but through images via a Tumblr simply entitled "Vulgar Auteurism,"〔"(Vulgar Auteurism )"〕 spearheaded by Lehtonen and filmmaker Kurt Walker, with contributions from Mubi critics Adam Cook and Daniel Kasman. Over the years which followed, Mubi's online film magazine began to publish more and more articles defending genres and directors which were unpopular with the critical mainstream.〔〔 Lehtonen later went on to co-found (The Vulgar Cinema ), along with Sara Freeman, Otie Wheeler, Christopher Small and CJ Roy.
Vulgar auteurist ideas gained currency〔 when one of the movement's leading proponents,〔 critic Ignatiy Vishnevetsky, became the co-host of the television program ''Ebert Presents: At the Movies'', produced by Roger Ebert. However, while "vulgar auteurist" criticism was becoming popular, the term and the movement to which it corresponded remained obscure until the publication of an article by Calum Marsh, "Fast & Furious & Elegant: Justin Lin and the Vulgar Auteurs", in ''The Village Voice'' on May 24, 2013.〔〔〔

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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